Michael Davies

Writer, Musician, Actor

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 WHAT THEY SAY ABOUT MICHAEL'S WRITING:

 

 

  'Bristling with theatrical ideas'

- Sir Alan Ayckbourn
 
  'Very funny... entertaining characters... great
  vignettes. I enjoyed it and laughed, both quite
  rare!'
- Micheal Jacob, Creative Head, BBC College of Comedy

 

  'An amazingly good job... stories work well and

  are full of character and texture'

- Simon Harper, Holby City development editor

 

  'You write strong, distinctive, dialogue, create

  well-defined, powerful characters and show a

  real understanding of the medium.'

- Emmerdale core writer Chris Thompson
 
  'Intriguing and edifying', 'alive and full of
  energy'
- actor Paul Copley

 

 

WORDS

 

Pick from an assortment of writing skills:

FICTION

Novels

Short stories

SCRIPTWRITING

Corporate

Stage

Television

Radio

Short film

THEATRE CRITICISM

 

JOURNALISM

 

MUSIC

 

Marvel at the amazing range of musical talents:

Michael Anderson
The Inside Job
Lounge Lizards

Scarlet Music
This Is Your Song

 

   

PERFORMANCE

 

Other things Michael is quite good at:

ACTING

Michael Crask-Davies

 

 

 

STOP PRESS

 

August 27, 2010

Exciting news from the Perfectly Formed short story competition run by Waterstone's: out of 1,250 entries, mine made it to the final 18. Although it's not officially a prize-winning feat, it does make me a finalist in a national writing competition, so I feel entitled to a little self-satisfied shake of the shoulders and a private smile... You can read South Sea Bubble here.

 

August 27, 2010

Return to find extensive scenes sent by roleplay agent to be learned for a job next Wednesday and Thursday. Meanwhile, there are two other scripts to be learned for Tuesday and Friday for a different corporate filming job. Do you ever have that feeling when your head says: Don't put any more in, please - I'm full?

 

August 24, 2010

Somehow there's a first draft finished. Long days, lots of supportive noises from the family, but it's in the bag. Copies off to Tony and my other reliable readers for their opinions, and me off to Blackpool with Tricia and Lexy for a couple of days, hopefully to resurface as me, rather than the grumpy creature who lives in the study and pops his head out occasionally to growl.

 

August 17, 2010

More terrific notes from Tony - he's happy that it's in reasonable shape to go ahead, but adds some more highly appropriate suggestions for tweaking and strengthening, which will all get added to the mix along the way.

 

August 16, 2010

Scene-by-scene now in place and delivered to Tony for opinions. It'll change a little already, I can tell from my own reading of it, but the basic shape is there. Now it's a mad dash to get the first draft done asap.

 

August 6, 2010

New outline complete for the revamped 90-minuter. Quite a different take on the story and (I hope) much stronger as a result.

 

July 28, 2010

Treated to a lovely lunch at the Riverside Studios in Hammersmith by David Brawn, publishing director at HarperCollins and the man responsible for printing Desmond Bagley's novels. A lot of cud - and even some cod - was chewed, and he offered the logical opinion that HC would be delighted to see some kind of adaptation of one of the novels as a fillip to sales. He also happened to mention that he liked what I'd done with Tightrope. Which is nice.

 

July 26, 2010

Really exciting meeting with agent/personal manager who likes my writing and has loads of great ideas about where to take it. The only drawback is she's about to give birth, so we're on hold for a month or two until that important business is out of the way.

 

July 23, 2010

The gamble didn't quite pay off, but it's definitely for the best. A fantastic set of notes on the outline now means a complete reworking of the story, with much more emphasis on the human drama and emotion - on which Tony is something of an expert, having run Holby City for many years! What I now have to do is what The Hurt Locker screenwriter Mark Boal (also a former journalist) admitted he was advised to do: take a large knife and stab myself repeatedly until I've killed all traces of the journalist in my writing!

 

July 19, 2010

With time pressing, I've gone ahead with a scene-by-scene without waiting for Tony's notes on the outline. Dangerous, but hey... 

 

July 15, 2010

So an outline's complete for the new 90-minute TV film, which is a kind of biopic of a little-told story from British history. Unfortunately it's a bit of British history I know very little about, so some research will be in order. First step, though, is the view of Tony McHale.

 

July 14, 2010

All change! Having lost a certain amount of confidence in the crime caper as the scene-by-scene developed (not enough credible story, mainly), I've shelved it in favour of a completely different idea, which I now have to start from scratch. There's nothing like adding a bit of pressure to a deadline.

 

July 13, 2010

Meetings lined up for later in the month with an agent and a publisher. So much to do, so little time...

 

July 9, 2010

Working outline for the crime caper now complete. Next stop, a scene-by-scene treatment.

 

July 1, 2010

Work finally under way on a 90-minute TV film project, the last submitted formal piece for my MA in TV Scriptwriting at De Montfort University in Leicester. My mentor, Tony McHale (lately exec prod of Holby City), has already seen a brief pitch and offered some great suggestions, and now it's time to build up the concept into a treatment. It's a crime caper but I won't say too much more at this stage - it could well mutate and I don't want to pin myself down just yet.

 

June 30, 2010

The scripts I sent to the latest agent (see June 3) have been extremely well received, and the next step is to arrange a meeting. Meanwhile, numerous scripts despatched to various competitions - TV, short film, stage - with more deadlines coming up soon.

 

June 25, 2010

So my work is to be seen in the West End - well, a West End programme, at least! A piece commissioned by theatre publishers John Good is to appear in a forthcoming version of the We Will Rock You programme at the Dominion Theatre. One small step...

 

June 16, 2010

Well, what a beast that turned out to be! Finally delivered two 90-minute episodes of Tightrope, my TV adaptation of the Desmond Bagley thriller The Tightrope Men. Now awaiting feedback and approach to the agent who manages the rights to Bagley's novels.

 

June 10, 2010

To the big city for BBC masterclass in radio drama at The Drill Hall. Interesting insights from writers Rebecca Lenkiewicz and Sebastian Baczkiewicz, who's also written next week's Holby City episode.

 

June 4, 2010

More promising feedback from TV agent (see April 8 and May 28) and an invitation to send another script - radio this time.

 

June 3, 2010

Meeting with another agent and invitation to send various scripts. Duly dispatched...

 

May 29, 2010

Signed up for BBC Radio Drama Masterclass at the Drill Hall on June 10. Should be a very interesting session with useful networking opportunities.

 

May 28, 2010

To Richmond for fabulous revival of Ayckbourn's Taking Steps at the Orange Tree, directed by Alan himself and including Matt Cottle (with whom I appeared last summer in Northampton). Faultless production - no surprise there - and great to catch it before the run ends tomorrow.

 

May 13, 2010

Met the leading TV agent again today (see April 8) - he's still poring over the second script I've sent him, having asked for another on the back of the first, so watch this space. Meanwhile, work on Tightrope continues - first ep almost complete (first draft at least), second still to come. So that's next week sorted...

 

May 12, 2010

Really useful meeting with a Radio 4 producer at the BBC - left her with four pitches for the next commissioning round later in the year, so fingers crossed.

 

May 4, 2010

Lectured on theatre criticism to a keen, interested bunch of creative writing students at the University of Leicester's Northampton College outpost - aside from being great fun, it forces you to think about what you write and why.

 

April 30, 2010

Final decision made on which script to submit for the Writers' Academy application, and submission duly made. Deadline is May 5, so we'll see what happens after that.

 

April 8, 2010

The past 24 hours have seen requests arrive from a leading TV agent, one of the UK's top theatre directors and a BBC commissioner to read various scripts. The post office has been busy this afternoon...

 

April 4, 2010

Treatments complete for both parts of Tightrope, plus a full scene-by-scene of Part One. Off to celebrate Sondheim's 80th birthday at a special concert at the Derngate in Northampton tonight featuring Daniel Evans, Maria Friedman and the RPO.

 

April 1, 2010

A good day to begin my adaptation of Desmond Bagley's novel The Tightrope Men. Using Script Frenzy as a kick-up-the-backside device, I'm working it up as a 2x60-minute TV drama entitled Tightrope.

 

March 18, 2010

Murder They Read is delivered to the BBC...

 

February 26, 2010

The end of the tunnel. Finished drafts of both Murder They Read and Granny Get Your Gun are now ready for delivery. MTR has had a bit of a polish, GGYG a total rewrite. Meanwhile, the BBC tell me they like Hacks enough to ask to see another script - MTR's looking favourite for that, so the timing's worked out nicely. Next up, an adaptation of the Desmond Bagley novel The Tightrope Men - I'm thinking a 2x60-minuter but it's early days yet.

 

February 25, 2010

Session with Ben Stephenson, the BBC's controller of drama commissioning. What a nice man! A genuine fan of TV drama - you couldn't really ask for more from someone in his position.

 

February 1, 2010

Couple of months or so writing first drafts of two shows (see below). Team-writing effort Murder They Read is now with m'learned colleagues for script editing, while the sitcom pilot - Granny Get Your Gun - has had both barrels from a very generous Laurence Marks (as in Marks & Gran - Birds of a Feather, Goodnight Sweetheart, The New Statesman et al). Wonderful, detailed masterclass advice from one of our leading sitcom kings. Unfortunately for me, it now means a return to the drawing board. It would be churlish to complain...

 

November 18, 2009

Completely crazy few weeks working up two TV projects simultaneously - glutton for punishment. First there's the team-writing piece, a five-part dark comedy to be stripped across one week's transmissions. Then there's my own sit-com - more news anon - which has been lagging behind a little but now starting to make progress. Deadlines for both this side of Christmas. Mmm.

 

November 13, 2009

So that was Collision, the Anthony Horowitz drama that scuppered our original team-writing idea Impact (see September 17 below). Nicely produced, well acted, great cast etc etc. We'd have written it better.

 

September 25, 2009

The RSC have revealed to us critics the opening salvo in their four-year Russian project Revolutions (read the Davies review here). Distinct flavour of Rasputin's Mother - perhaps RSC Literary Department should be an urgent port of call...

 

September 23, 2009

Charming letter from Alan Ayckbourn, who generously agreed to read my play Rasputin's Mother (see May 1 below) and has offered some lovely comments and encouragement. What a nice man.

 

September 17, 2009

First meeting of the triumvirate that will now have to create a co-written TV show by Christmas. The original idea (dating from about May - see June 3 below) has been scuppered by the news that ITV are to air a mini-series in November which is basically the same thing, so it's back to the drawing board.

 

August 16, 2009

Last night last night. No more diving in the pool. But fantastic fun while it lasted. Back to reality...

 

July 31, 2009

After a month of fantastic rehearsals (more details to come on the blog in due course), last night was press night. Read a totally unbiased review here

 

July 1, 2009

It's a 'yes' from Sir Alan! Time to polish up my best Iberian accent for Ruy, the Spanish gardener. Performances from July 27 to August 5. Visit www.royalandderngate.co.uk to book. Can't quite see how I'm going to review this one...

 

June 30, 2009

Acting hat on for audition with Sir Alan Ayckbourn for a small role in his play Man of the Moment, being directed by him at Northampton's Royal Theatre. Watch this space...

 

June 16, 2009

Latest - fifth - draft of Hacks (one-hour TV pilot) completed.

 

June 3, 2009

Work starts on TV drama 'Impact' with co-writers Rob Wilkinson and Jo Braithwaite.

 

June 1, 2009

Deliver shadow script of Holby City episode, Enigma Variations.

 

May 1, 2009

It seems an appropriate day for signing off on stage play Rasputin's Mother.

 

March 18, 2009

Deliver shadow script of Doctors episode, Basic Training.